Historically, watch hands were genuinely stamped. This gave them varying heights along their length, creating a three-dimensional form that modern techniques often lose. The process imbued them with depth and character, a quality that allowed them to interact with light in a way that flat, diamond-cut hands cannot.
The Assegai hands from Laurent Ferrier are a direct link to this past. Named for the slender African spear, their elongated and refined silhouette was designed to match the applied indexes and gold numerals on the dial. The inspiration came from the pocket watches of the last century, seeking a visual coherence that required reviving a forgotten method.
A Nearly Lost Technique
To achieve this specific kind of depth, the workshops turned to Fiedler SA. The manufacturer was one of the few that still possessed the traditional expertise to give a watch hand a complex architecture, one capable of capturing and reflecting light with unusual intensity. But the knowledge was dormant.
When Laurent Ferrier presented the project to Fiedler in 2009, the world was in a global financial crisis. The timing was difficult, and the news was worse. The specific type of manufacturing needed to create the Assegai hands had virtually disappeared from Fiedler’s workshops.

